John Muir’s wholeheartedness enabled him to unify the diverse phases of experience that go into the appreciation of natural beauty. We have much to learn from Muir’s achievement. Nevertheless, we can wonder whether he took his achievement to excess. Did he rejoice in beauty so much that he did not …
Beauty as divine
The Butterfly Hunter, Carl Spitzweg (1808-1885) John Muir’s concrete descriptions often had no need of words like “beauty,” or “divine,” or “God”; but such language is frequent enough to indicate a pervasive dimension in his aesthetic experience. Muir’s expressions of delight in nature, the …
Beauty in difficult harmonies
Beloveds, I’ve started to conceive of each sequence on a certain topic (e.g., beauties of nature) as a month-long prototype for a course that I might develop. Most of the content that I present in this weblog comes from my forthcoming book, Values and Virtues: A New Philosophy of Living. As …
Expressiveness in nature: Empathy and imagination
Muir’s empathy for all life began with identifying with the mind of the creatures whose intentions and moods he came to know. "We worked with [oxen], sympathized with them in their rest and toil and play, and thus learned to know them far better than we should had we been only trained scientific …
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Whole-body and whole-souled perceiving
Three quotations from John Muir illustrate advanced perception. After listening to it in all kinds of winds, night and day, season after season, I think I could approximate to my position on the mountain by this pine music alone. If you would catch the tone of separate needles, climb a …
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Singing in the rain: The psychology of positive emotion
Singing in the rain When beauty touches us, it awakens our aesthetic response, ranging from contentment and satisfaction to delight, rejoicing, and awe: these modes of experience register our recognition of universal beauty. The most common positive emotions are joy, gratitude, serenity, interest, …
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