This side of Paradise, harmony implies dissonance

C.P.E. Bach and others accompany Frederick the Great “Harmony” is often mentioned as an ideal and sometimes dismissed as outdated and naive.  I think Bach understands what makes harmony a mature and worthy aesthetic value for our age.  What do you think? The intellectual character of Bach’s music is something that listeners immediately sense. Consider … Read more

Bach’s balance of religion and humor

Cellist Mstislav Rostropovich and Naina Yeltsin after his performance in an opera There is abundant evidence that Bach’s dominant motivation as a composer was religious. In his Bible he wrote, “With devotional music, God is always present in his grace.” In his religious music, he might write abbreviations for “Jesus, help” or “To God alone … Read more

Bach: Talent, training and humility

  Johann Sebastian Bach (1658-1750) came from an unusually musical family. His grandfather was a town musician, and he had three sons, each of whom was a musician; and each of them, in turn, had three sons, each of whom was a musician. If there was ever a clan which prepared a person genetically and … Read more

Does beauty swallow up ugliness?

John Muir’s wholeheartedness enabled him to unify the diverse phases of experience that go into the appreciation of natural beauty. We have much to learn from Muir’s achievement. Nevertheless, we can wonder whether he took his achievement to excess. Did he rejoice in beauty so much that he did not acknowledge the ugliness that is … Read more

Beauty as divine

The Butterfly Hunter, Carl Spitzweg (1808-1885) John Muir’s concrete descriptions often had no need of words like “beauty,” or “divine,” or “God”; but such language is frequent enough to indicate a pervasive dimension in his aesthetic experience. Muir’s expressions of delight in nature, the dominant emotion of his life, convey one thought above all: beauty … Read more

Beauty in difficult harmonies

  Beloveds, I’ve started to conceive of each sequence on a certain topic (e.g., beauties of nature) as a month-long prototype for a course that I might develop. Most of the content that I present in this weblog comes from my forthcoming book, Values and Virtues: A New Philosophy of Living. As a proper educator, … Read more

Expressiveness in nature: Empathy and imagination

Muir’s empathy for all life began with identifying with the mind of the creatures whose intentions and moods he came to know. “We worked with [oxen], sympathized with them in their rest and toil and play, and thus learned to know them far better than we should had we been only trained scientific naturalists. We … Read more

Whole-body and whole-souled perceiving

Three quotations from John Muir illustrate advanced perception.   After listening to it in all kinds of winds, night and day, season after season, I think I could approximate to my position on the mountain by this pine music alone.  If you would catch the tone of separate needles, climb a tree in breezy weather.  … Read more